Hans Kotter – MEHR LICHT!

Stimmungsaufheller

Die Kunst von Hans Kotter macht glücklich. Seine Skulpturen aus Plexiglas, Spiegeln und Hunderten von LEDs senden das aus, was unser Hirn auf Hochtouren bringt – LICHT. Mit seinen Lichtskulpturen erschafft der Künstler eine eigene Realität, die den Betrachter einfängt und fasziniert.

In den Werken tut sich eine imaginäre Welt auf, mit weiten Ebenen, frei schwingenden Tunneln und Ausblicken in die Unendlichkeit des Raumes. Je nach Standpunkt des Betrachters ändern sich die wahrgenommenen Räume innerhalb der Objekte, je nach Lichtsteuerung die Stimmung. Licht und Bewegung sind die Impulse, denen sich die Augen nicht entziehen können und die Hans Kotter für seine suggestiven Werke nutzt. „Ich arbeite am Computer wie andere mit dem Pinsel“, sagt der Künstler dazu. Hans Kotter setzt seine künstlerischen Ideen in aufwändigen, oft monatelangen Programmierprozessen um und kann so jede LED einzeln ansteuern und jene opulenten Farbverläufe und Räume kreieren, die den Betrachter gefangen nehmen und verblüffen. Das alles ist in Konstruktionen umgesetzt, die in ihrer technischen Perfektion Autonomie und Selbstverständlichkeit ausstrahlen und den genetische Code der Konkreten Kunst verraten.

Hans Kotter studierte zunächst Malerei. Über die Frage, wie Skulpturen optimal zu beleuchten seinen, kam er zu seinen Lichtobjekten. In der Tradition der ZERO-Künstlergruppe, mit Ahnherren wie Mack und Luther nutzt der Künstler die enormen Möglichkeiten der modernen Technik und führt so die Lichtkunst ins 21. Jahrhundert.

In der Stern-Wywiol Galerie wird das Werk des international ausstellenden Künstlers nun erstmals in Hamburg gezeigt – Zeit zum Glücklichsein!

Yesterday it was all over the press: CEBIT, Germany's largest trade fair for information technology, no longer exists. How can that be?

You could always be sure of seeing something new, something unexpected, something fascinating. How can it be that such a fair no longer functions in the land of engineers and tinkerers?

The fair company blames dwindling visitor numbers. Maybe it's because computers can do so much today and we are increasingly overwhelmed by their operation, that we generally only use a maximum of 5% of the possibilities of our computers. Or that we sometimes feel downright at the mercy of the machine - often shortly before an important deadline - when it doesn't do what it should and mutates into an hourly grave.

Or maybe we don't want to use computers any more, maybe we have a kind of technology fatigue, a weariness, because we seem to have lost the human element, the individual element.

Tonight we welcome an artist to the gallery whose art succeeds in uniting the disparate and making use of the contradictions of modern life:

Hans Kotter builds illuminated objects and sculptures out of stainless steel, Plexiglas and hundreds of LEDs. These are precision devices, meticulously planned, built to the millimetre, produced with the latest processing techniques that make highly polished stainless steel possible, for example, and equipped with a mini-computer that controls the processes inside.

And here it comes: these objects and sculptures made of technology make you happy! Hans Kotter's art does not hide its technical character and yet we can love it. We are fascinated by the running lights that draw us into imaginary infinite spaces. Movement always compels our gaze, that is the evolutionary heritage of our origins. And we are curious when we can look somewhere inside. Into infinite curves or tunnels, for example. That is the cognitive side.

But it seems to me that the emotional, the subconscious side of our reaction to this art is even more important. Many of Hans Kotter's works emit light. And light is doping for the soul. In the case of so-called winter depression, light therapy is a fast-acting, recognised healing method. Light increases the seratonin level in the organism. And serotonin is known to have a mood-lifting effect, i.e. it makes you happy.

Last night I sat down with the Twins in peace and quiet. It was a bit like sitting by the sea: Waves arrive, here from light, quite evenly, but always different. It's relaxing, and at the same time it's captivating, because we can't escape the movement of the light. I kept discovering new details of the work and meditated a little at the same time, it was wonderful!

And it is precisely this state of alert rapture that Hans Kotter is concerned with in his work. The artist says of himself: "I paint with the computer like others paint with a brush." He always has a very precise idea of what effect his light art should have, what the work itself should look like, what spaces he wants to open up in the work. At the same time, he knows exactly what effect the work should have in the surrounding space. Hans Kotter knows how to give his works a very real aura, which then enchants the room. And if the constantly changing colours are too intense for you, you can also stop the gradients and thus perhaps obtain a cool aura in summer and a warm one in winter.

Hans Kotter sketches his idea of light on paper. Then, in long sessions on the computer - depending on the complexity of the shapes and colours - he programs the controls for hundreds of LEDs. With the help of mirrors at precisely calculated installation angles, he then creates the fascinating mini-cosms that his works often represent.

For me, Hans Kotter makes the light art of the 21st century. He ties in with the traditions of the ZERO group and the Op Art of Victor Vaserely, for example. He uses all the technical innovations, especially in the field of illuminants and software, but he doesn't do it for the sake of mere gimmickry. Rather, he wants to show us what happens when we see, when we see light. That which is so existential that we no longer even notice it.

This can also be understood very well in the photographic works. For Hans Kotter has photographed precisely that which we always see without seeing it, LIGHT. As you surely know, our daylight, which is perceived as white, is the mixture of electromagnetic radiation of different wavelengths. Do you remember the simple prisms from physics lessons where the white light fell in on one side and came out on the other side as a rainbow? With the help of a combination of specially manufactured glass prisms, Hans Kotter creates very special light refractions and effects. These are then photographed as ultra-high resolution macros and this is what you see in the photos. Motifs of almost unearthly colour brilliance and beauty, close enough to touch and yet unattainable - LIGHT.

Ladies and gentlemen, the artist is present - take this opportunity and ask him anything you want to know about his art and about LIGHT. We now have days when it is pitch dark for 14 hours a day - MORE LIGHT seems to me to be the appropriate answer.

In our new catalogue you will find a wide range of Hans Kotter's work, feel free to take a look.

I wish you an illuminated evening!

Dr Kathrin Reeckmann